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・ Mont Saint-Bruno
・ Mont Saint-Grégoire
・ Mont Saint-Hilaire
・ Mont Saint-Michel
・ Mont Saint-Michel (Alsace)
・ Mont Saint-Michel Bay
・ Mont Saint-Michel in popular culture
・ Mont Saint-Quentin
・ Mont Saint-Quentin Australian war memorial
・ Mont Saint-Sauveur
・ Mont Saint-Sauveur International
・ Mont Sainte-Cécile
・ Mont Sainte-Odile
・ Mont Sainte-Odile Abbey
・ Mont Sainte-Victoire (Cézanne)
Mont Sainte-Victoire and the Viaduct of the Arc River Valley
・ Mont Sainte-Victoire seen from Bellevue
・ Mont Sainte-Victoire with Large Pine
・ Mont Shefford
・ Mont Sokbaro
・ Mont Soleil
・ Mont St. Jean, Luxembourg
・ Mont Ste. Marie
・ Mont Sutton
・ Mont Sângbé National Park
・ Mont Tendre
・ Mont Terri
・ Mont Thabor
・ Mont Tondu
・ Mont Tournier


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Mont Sainte-Victoire and the Viaduct of the Arc River Valley : ウィキペディア英語版
Mont Sainte-Victoire and the Viaduct of the Arc River Valley

The ''Mont Sainte-Victoire and the Viaduct of the Arc River Valley'' is an 1882—85 painting by the French artist Paul Cézanne. It is in the Metropolitan Museum of Art in New York.
== Description ==
The ''Mont Sainte-Victoire and the Viaduct of the Arc River Valley'' was painted from 1882 to 1885, and was completed 21 years before Cézanne's artistic career finished.〔 Cézanne began working on impressionism in his artworks in the late 19th century, nearing the end of his career, away from his post-impressionist former paintings. A later example of this can be seen in ''The Card Players''.〔 These mainly included still lifes and landscapes such as ''Mont Sainte-Victoire and the Viaduct of the Arc River Valley''. His aim was "to make of Impressionism something solid and durable, like the art of museums."〔"Paul Cézanne: Mont Sainte-Victoire and the Viaduct of the Arc River Valley (29.100.64)". In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000. Uploaded December 2008. Retrieved 30 June 2012.〕 It was painted in the 'mature' period of Cézanne's work.
The ''Mont Sainte-Victoire and the Viaduct of the Arc River Valley'' was a bequest to the Metropolitan Museum of Art by Henry Osborne Havemeyer and his wife Louisine Waldron Elder Havemeyer. After Henry died in 1907, the work passed to Louisine; it was donated to the museum following her death in 1929 as part of the Havemeyer collection of 142 artworks.〔Weitzenhoffer, Frances. ''The Havemeyers: Impressionism Comes to America'' (Harry N. Abrams Publishers, New York). 1986. pp. 251—252.〕
The painting depicts the Montagne Sainte-Victoire, which dominates the landscape of his native city of Aix-en-Provence (southern France). The city is visible in the distance, far back from the valley of the Arc River.〔Mont Sainte-Victoire. s885-i887. 2534 x 32' s inches. The H. 0. Havemeyer Collection, Bequest of Mrs. H. 0. Havemeyer, 29.100oo.6. Retrieved 30 June 2012.〕 Moreover, this painting depicts the railway bridge on the Aix-Marseille line at the Arc River Valley and the train which runs on it.〔(Tomoki Akimaru (2012), "Cézanne and the Steam Railway (3): His Railway Subjects in Aix-en-Provence". )〕
It is 65.5 cm × 81.7 cm (25.8 in × 32.2 in) in size, one of Cézanne's smallest works in his artistic career. Cézanne depicted the same mountain several other times, including in ''Mont Sainte-Victoire seen from Bellevue'', in ''Mont Sainte-Victoire with Large Pine'', in ''Plain by Mont Sainte-Victoire'', and in paintings titled simply ''Mont Sainte-Victoire'' in the holdings of the Courtauld Institute of Art in London and the National Gallery of Scotland in Edinburgh. ''Mont Sainte-Victoire and the Viaduct of the Arc River Valley'' was painted near the end of his working career.〔Rewald, John. Cézanne and America: Dealers, Collectors, Artists, and Critics, 1891–1921. Princeton: Princeton University Press, 1989.〕
〔Rewald, John. Cézanne: A Biography. New York: Abrams, 1986.〕
In this painting, Cézanne explores the creation of depth using layers to build up a set of horizontal planes that draw the eye into the view.〔Voorhies, James. ("Paul Cézanne (1839–1906)" ). Heilbrunn Timeline of Art History. Metropolitan Museum of Art. October 2004. Retrieved 30 June 2012.〕 In 1989, this work was described as one of Cézanne's greatest.

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